If you scratch a bit, like you do with a penny on a Lotto ticket, you can see something else. Â Not winning numbers, but an underlying corruption. Â A sense that the rebooted Starfleet is, in essence, a reflection of our own, modern-day society. Â Sure the spaceships are bigger, the architecture more daring. Â But the same essential flaws are there. Â People and governments willing to do Bad Things for what they perceive is the Greater Good. Â And, as much as I enjoyed the reboots, I think that something has been lost, or perhaps is simply getting subsumed in all the lens flare and flashy explosions.
Roddenbery’s Star Trek was about the best in us. Â Not just that humanity evolved and matured between now and the shining future, but that we were *still* able to continue to overcome our internal and external conflicts. Â Granted, Roddenbery’s future without pockets has been bagged on over the years, it still remains the only shining, hopeful future out there. Â When StarWars hit the screens, then Blade Runner, the future got grittier. Â Every film or show had rust under the paint and clouds in the sky. Â Stories focused on doing “the best we can” as opposed to becoming the “best we can be”. Â They tried a bit of that in Star:Trek, the Next Generation, and threw a bit more in during DS9 and Voyager, but it never quite stuck. Â You didn’t watch Star Trek for the gritty “realism” or the dystopic adventure. Â You watched it because it showed the potential. Â It gave us a version of the future where we didn’t irrevocably f*ck everything up.
I worry a bit that the new generation of Star Trek writers is more interested in showing us the flaws, in exposing the impossibility of a Utopian society, than they are in building new stories in a world where it is not only possible, but that it is *probable* that people will do the Right Thing.